Thomas is a professional fine art photographer and writer specialising in photography related instructional books as well as travel writing and street photography.
All tagged Test
Recently both Capture One and Lightroom have been released as Apple Silicon native versions. I have covered both of these in videos on my YouTube channel recently. For Capture One I showed you how the interface responds with the new version, and for Lightroom, I did a test comparing import and export speeds for the M1 native version compared to the older version running under rosetta. Since I had the benchmarks for this, I figured why not run the same test for Capture One.
Ever since I posted my tutorial for achieving dehaze in capture One on YouTube, I’ve been getting lots of requests for a way to do the opposite. Adding haze to an image is a lot tricker than dehaze if you want to make it look realistic. To add fog or atmosphere in an image, you really need to have a depth mask to do it properly. If I were doing this for visual effects, I’d first have to create some kind of depth map for the scene. However, if you’re happy with just an approximation, then you should be able to achieve something reasonable in Capture One.
I recently had the opportunity to borrow a friend’s Nikon D800. While the D800 is an older camera now at this stage, I was keen to try it out, as I love my D700 and I wanted to see how it performed. I had borrowed it before, but not for as long. The lat time I had it I had shot a very short sequence of video, and I was impressed. This time I wanted to shoot a bit more video and see how good it was, more for curiosity than anything.
When I was shooting a lot with my Sony NEX–7, before it died on me, I would occasionally use Nikon lenses on it, with a Novaflex adaptor. I really liked the results, but I didn’t do it that often, because personally, I found that the process of manual focussing was a little to awkward for my style of shooting. Even with the great focus peaking feature (which isn’t always accurate unfortunately), it just wasn’t worth it for the amount of times I wanted to do it. With my newer A6000, I had put off trying to shoot with Nikon lenses because of this, but I recently took the opportunity to try it out, and boy, what a difference.
