About Thomas Fitzgerald

Thomas is a professional fine art photographer and writer specialising in photography related instructional books as well as travel writing and street photography. 

How to quickly get better RAW colours in Luminar

How to quickly get better RAW colours in Luminar

One of the issues that I have when using RAW files in Luminar is that the colours are often a little flat and the contrast is a bit washed out. This comes from RAW files not having a proper profile in the software, and while it has improved in recent years, it’s still a ways off from the default results that you would get in the likes of Lightroom or Photoshop.

There are a number of ways you could go about fixing this. You could add some curves and tweak those, and save them as a preset, or you could just use the develop controls to add some contrast and vibrancy. The problem with those methods is that they add adjustments and you no longer have a baseline as such. I know that’s kind of an academic argument, but I personally prefer to separate my editing into to phases. The first phase is correcting for any raw conversion or camera issues. The second is creatively adjusting the file. You could of course just use the standard tools and then start on an extra layer, but that’s another step, and I wanted to come up with the simplest way possible of doing this.

This got me thinking of an alternative approach, and then it occurred to me, there was a simple solution. Use a LUT. LUTs are similar to colour profiles anyway, so why not just use one as a default correction to compensate for a generally flat RAW image. So I created a new LUT using Lightroom to come up with a default set of adjustments, then converted these to a LUT file. 

Now when adjusting a RAW file in Luminar, I have created my own develop workspace which already contains a LUT mapping filter, and I just set this to use the LUT That I created for this purpose, which you can download with the button below. 

Now, when working this way, I have better default colours and contrast, but all my sliders (apart from the LUT mapping) are set at zero. SO I can go on to creatively adjust the file and still have a base level starting point. If you want to use the LUT I created for this, you can download it from the button below. And don’t forget to check out my own Film Candy LUTs which are a set of 70 LUTs that can be used in a variety of applications, including Luminar.


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